Crib in the Church of the Dome |
Crib in the Notre Dame |
Churches and the aftermath of Christmas: Every church still
has a crib, probably till February 2nd, Candlemas, the presentation
of the Christ child in the Temple and the end of the Christmas period. In the
streets of Paris the stalls of the many Christmas Fairs are being broken down
and removed, a rather sad sight. But there are still illuminations everywhere.
Crib in the St. Pierre Montmartre |
It is great to notice that the famous churches, the Notre
Dame and the Sacre Coeur, are not just tourist attractions but still places of
worship. After a morning Eucharist my friend and I walk around the magnificent
church. When we are at the back of the choir, in the ambulatory, we hear this
heavenly music, sung by female voices. We think it is a recording, one of those
with Gregorian chants often heard in churches and cathedrals. When eventually
we can see into the choir again, we discover 12 nuns in the stalls, singing the
office of the hour. It is noon. Do they sing the Sext? One nun is playing the zither
and accompanying them. It is as if angels have descended from heaven. Their
voices send shivers down my spine and take my breath away, so pure and ethereal
is their chanting. Completely covered in white flowing robes, except for a
black veil, they seem to be the angel choir which has come down from heaven. It
reminded me of the Singing
Nun, Soeur Sourire, who in the sixties made a name for herself with her
pure voice.
Different view of the nave of the Notre Dame with a large carpet on the floor, woven in 1830 |
Notre Dame |
Of course the Saint Chapelle, no
longer used as such, is another must, a highlight every time I go. The vibrant
colours of the stained glass windows and the painted walls, columns and vaults
ar unbelievably beautiful. No iconoclasm here fortunately!
Sainte Chapelle Paris |
Next to the Sacre
Coeur is the church of St.
Pierre, older by far than the Sacre Coeur and a haven of peace among this
tourist part of Paris, Montmartre and Place du Tertre with its fake bohemian
atmosphere and artists, and the excorbitant prices in the adjoining cafes. It
is an ancient church, well kept, a place for prayer and reflection. No noise
from the bustling streets penetrates the ancient walls of this serene church.
The mad drive down to Pigalle in a minibus, a kind of
shuttle, through the narrow and steep cobbled streets is a first and a godsend
for my companion. We have to hold tight not to be thrown through the bus. But
we arrive safely down, in a fraction of the time it took us to walk up the “Mont”.
Seeing the Eiffel Tower through the Peace monument, a glass
monument with the word Peace written or edged in 32 languages and 12 different
alphabets, is a new experience and a moving surprise. This Wall
for Peace at the end of the Champs de Mars and in front of the Military
Academy is not mentioned in any of my guide books! Is was built for the Millennium,
so has been there for a considerable number of years.
And there is another first, a
ride on the Ferris Wheel
on the Place de la Concorde in the dusk. It is rather scary to look down, but
the view down the Champs Elysees, its trees still decorated with blue Christmas
light, is amazing. We go round three times, enough to get a good view in all
directions. That it is dark makes it all the more interesting, seeing the big
boulevards as paths of light, the red tail light of the many cars as slightly
undulating serpentines, as well as the illuminated Eiffel tower. Taking
pictures through the glass of our capsules or the slits in the metal framework
isn’t easy, but the views are imprinted on my brain.
The Lady and the Unicorn
I can never resist the Musée de Cluny, le Musée du Moyen Age.
Apart from the beautiful and very modern looking medieval carved wooden statues
and miniature ivory sculptures, what always attracts me most are the Flemish
tapestries of the Lady
and the Unicorn, representing the 7 senses, although what the 7th
really is, is not very clear. Especially the one of the lady playing a
portative, a small portable pipe organ, allures me: the unicorn, the symbol of
chastity and purity, and the pipe organ, the music, hearing and sound. The
colours, still vibrant and bright are absolutely amazing.
Besides the museum houses a set of beautifully carved oak
choir stalls from Blois, France. Formerly taking pictures in the Museum was not
allowed, and I had no chance to extend my collection of misericords. But the
ban has been lifted, so I had a go at photographing quite a few interesting
ones.
Then there is the abundance of concerts, although the
beginning of January, after a very rich and busy Christmas time, isn’t the best
time of the year music wise. However, the concert in the Théâtre des Champs Elysées
is wonderful. An all Tshaichovsky programme with the Philharmonia
Orchester and Vladimir Ashkenazy
as conductor, its main attraction is the
concert for violin, with Vadim Repin as soloist. It has
attracted a full house, and we only managed to get two tickets on one of the
balconies at the far end of a row on the left. So we only see half the
orchestra. Fortunately, with a lot of neck craning and using our upturned seats
as misericords, we manage
to see both the violinist and the conductor, a sight not to be missed. The
audience is spellbound and absolutely quiet: no coughing or sneezing. Although
our seats are not very comfortable and we are extremely hot being under a low
overhanging upper balcony, it is all worth it. The introduction, the suite Romea and Juliet and Symphony nr. 4 after the interval, are
an extra. If the violin concerto had been the only music performed that
evening, I would have been just as happy. Still, we get an encore as the audience
applauds for minutes on end.
Repin
Another concert, totally different, is a performance of
Mozarts Requiem in the Church
of St. Germain des Prés, on the well-known boulevard. During the day the
interior of the former Abbey church looks dark and dirty. In the stage lights I
see that every inch of wall and every pillar is painted in beautiful colours.
Blue, red and gold being the main colours, and the ceiling blue and sprinkled
with golden stars, as I have seen in various other churches. In spite of the
poor organisation – we have to wait outside until 5 minutes before the start of
the concert, which begins half an hour late – the atmosphere is magical. In
fact the first part of the concert, a violin concerto by J.S.Bach, is the best
part. The violin is pure and because of the acoustics the wonderful sound sings
through the church. The choir singing the Requiem is far too big and the sound
becomes mere noise, probably because of the acoustics and the position of the
choir. It seems the sounds mingle, circle, mix and there is no clear melody any
more. However, attending a concert in this church is special.
Eglise de St. Germain des Pres
After the concert
I have wine and cheese in a cafe opposite. Not at Les Deux Magots, the
famous cafe and the haunt of Sartre and Simone de Beauvoir after whom this
square was named, but at a cafe with another well-known name, Napoleon. Here
they serve more than just champagne at this hour of the night. And it is full
and warm and cosy inside. The trees in the square are still decorated with
Christmas lights. Over the floodlit church tower I see the moon.
When I cross the river Seine on my way home, the Eiffel tower
shoots a shower of stars up its tower, something it does every hour on the hour.
It is midnight, my birthday has begun! Even the Eiffel tower seems to celebrate
this memorable day.
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